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A modern uni-width sans serif whose individual character widths are constant across all weights. It has four styles (light, regular, medium and bold), and it's intended for screen reading, interfaces, websites, as well as wayfinding systems. It includes support for Latin Extended and Cyrillic, different sets of figures and currency signs, fractions and indices. Designed by Vitaly Kuzmin and released by Paratype.

Soulcraft is a variable font designed with the idea of emulating vernacular lettering. Since it is a variable font, the user is able to change the width and slant of each individual character without relying on pre-defined font weights, and giving an energetic, unapologetic and dynamic feeling to the compositions made with the font. Designed by Erick Donate, Jean Wojciechowski, and Marcelo de Costa from Massimo Studio.

A font and pattern graphics resources with an attractive neon colorful style, available in PSD format. It will help you add some aesthetic yet modern look on your design, very eye-catchy and easy to use. It is perfect for social media post, printable card, poster, and advertising. Designed and shared at Behance by Aga Magdziak and Creative Tacos, free for Personal and Commercial use.

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A variable typeface family of 10 condensed fonts including sans-serif of geometric construction and neo-Gothic style with short descenders and a humanistic finish in the curves to evoke a feeling of warmth and personality. The typography has 787 glyphs with uppercase and lowercase characters, advanced OpenType functions, several number games and the Bitcoin symbol. Created and shared at GitHub by deFharo (defharo), licensed under the SIL Open Font License.

A retro-inspired typeface with a combination of hand lettering style. Every curve is made with a personal touch and has a very bouncy baseline making it ideal for logos, handwritten quotes, product packaging, header, poster, merchandise, social media and greeting cards. Designed by Identitype and shared at Behance by Pixel Surplus.

A clean, bold sans serif typeface best suited for presentations, posters, text, fashion, logos, branding, magazines, logos, and any other business related. It contains uppercase, lowercase, numbers, punctuation, and some multilingual characters. Designed and shared at Behance by Ahsancomp Studio, free for personal and commercial use.

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Animosa is a clean modern sans serif typeface that features tons of unique characters. This font includes support for over 93 languages, 508 glyphs, and is available in 5 weights, extra light, light, regular, bold and extra bold. Designed by Stefano Giliberti, free for personal and commercial use.

A display typeface crafted around a geometric grid and symmetric striped details. The font contains only uppercase characters (All-Caps) but can be mixed and perfectly paired with many fonts especially classic ones like Arial, Myriad Pro, and Helvetica. You can use Inverse in posters, headings, logo design, branding, and general colorful projects. Created and shared by Unblast at Behance.

A clean and condensed display font with a stylishly thin design structure. The font has three variations, regular, bold, and monoline; each with uppercase, lowercase, numbers, and special characters. This typeface works for logos, posters, web designs, magazine packaging and any design with the need for strong and bold feels. Designed and shared at Behance by Ahsancomp Studio, free for personal use.

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Bobby Jones is an irregular display font oozing with personality. The font contains all-caps characters with soft and rough styles and outline variations for each style. It can be used for ad campaigns, logo designs, apparel, printed stationeries, and more! Designed by Behance user Tom Chalky for Pixel Surplus, free for personal use only.

Anson is a sans-serif typeface with a bold geometrical style. It includes numbers, uppercase and lowercase characters variations with a strong versatile design made from geometric objects that works specially well for logos and general branding. Designed by Hanson Method, free for Personal and Commercial use.

A typeface based on the historical eye charts and optotypes used by opticians worldwide. The LogMAR chart consists of 10 letters and was developed at the National Vision Research Institute of Australia. Optician Sans is based on the same visual principles as the LogMAR chart, adjusted to be used as a fully functional display typeface. Designed by ANTI Hamar and typographer Fábio Duarte Martins.

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Borsok is a round bold typeface with full cyrillic support. It is an All-caps font with lots of diacritics, numbers and special characters. It has an excellent visual representation that works well with quotes, headings, blogs, logos, t-shirts, invitations and all kinds of display purposes. Designed by Behance user Dastan Miraj.

An inky brush script font that has a traditional vibe with its imperfect handwriting. It contains extra alternate letters and several ligatures to make your designs look even more naturally handwritten. Designed by Behance user Nasir Udin, free for personal and commercial purposes.

A sans-serif Devanagari typeface, designed with vertical and horizontal cuts. Pragati comes in 2 weights (Regular and Bold) and 1180 glyphs for each variant. It was specially developed for the screen as web font and desktop font. The Devanagari was designed by Marcela Romero, Pablo Cosgaya and Nicolás Silva. The Latin version of Pragati is reminiscent of late nineteenth century American typefaces. Pragati is licensed under SIL Open Font License, 1.1.

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A neutral Grotesque typeface that had great clarity in its form, and ideal for wide variety of signage. It has horizontal terminals, uniform widths, and comes in a highly functional and flexible font with true type features like x-height, which makes it easier to read in smaller sizes and at distance. Designed by Artem Velychko, free for personal and commercial use.

A modern abstract and stylized font which is inspired by architectural forms. It suits poster design, logos, packaging and more. The font contains uppercase characters and numbers in TTF file format. Designed by Graphic Pear and shared on Behance by Unblast, free for both personal and commercial use.

A modernist sans serif typeface based on the reinterpretation of a typographic model widely used during the 20th century. It contains uppercase, lowercase, numbers, punctuation marks among other special characters with multilingual support. Anisette has 6 styles thin, light, regular, medium, bold, and black, and works exceptionally well for branding and logo design. Shared on Behance by user Adrià Martí.

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A stencil font with slits in their strokes that make them appear as though they have been cut but in a way that they do not seem mechanical, located where necessary. The font contains 904 glyphs and diacritics with support for more of 30 languages. Designed by Gatti & Omnibus-Type Team, licensed under SIL Open Font License 1.1.

This is a typeface deliberately designed to be hard to read for helping you remember your study notes. It is a fun mashup between Helvetica and forget fonts; its design is slanted seven degrees to the left with breaks in each letter's structure, making your brain work harder to identify each word, and thus boosting retention. File includes OpenType font file and PDF information booklet. Designed by Melbourne's RMIT University Behavioural Business Lab.

A font family with a stylish condensed style and 3 weights. It has numbers, punctuation, symbols, uppercase, and lowercase characters with multilingual support. Badrick can be used to create logos, texts, presentations, posters, magazines, notices, titles, name card, magazine, web layouts, invitations, headers, branding, and any other business related. Designed by CreativeUltra, free for personal and commercial use.

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A display vector font constructed of splashed paint letters. It adds a cool and fun effect to your designs, especially posters (only uppercase letters available). Each character is created and separated on different layers that can be easily modified with Adobe Illustrator. Designed by Aga Magdziak, free for personal and commercial use.

A condensed sans-serif typeface with 18 styles from thin to black and their italics. It contains uppercase and lowercase letters, numbers, symbols, and lots of diacritics which gives it multilingual support. It is great for logos, headlines, titles, branding, print, magazine, architecture and more! Designed by Behance user Rajesh Rajput, free for personal and commercial use.

A variable typeface that includes 4 separate stylistic groups, intended to be layered for special inline and shade effects. The styles are all contained in a single font file, accessible by activating various OpenType features. Designed by Eduilson Coan, Gustavo Soares from dooType, free for both personal and commercial projects.

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Sudo is a font for programmers and command line users. It has a monospaced design that works well for terminal and programming sources. The font contains 4 styles, regular, bold, and italic variations (Use at 16 pixels size for optimal results). Designed by GitHub user Jens Kutilek (jenskutilek), free for personal and commercial use.